OPENING IN NOVEMBER
CONTEMPORARY ARTS CENTER
11.22.19 – 03.01.20
CURATED BY STEVEN MATIJCIO
DIRECTOR & CHIEF CURATOR
BLAFFER ART MUSEUM AT THE UNIVERSITY OF HOUSTON
Upcoming Solo Exhibition
Opening November 22, I will be presenting my largest exhibition to date, Props, at the Contemporary Arts Center in Cincinnati. Props is being curated by Steven Matijcio, Director and Chief Curator, Blaffer Art Museum at the University of Houston. This will be my first show of large-scale sculptural/architectural interventions. The exhibition will run through March 1, 2020.
On Tuesday, October 22 I will be giving an artist talk as part of the University of Cincinnati’s DAAP School of Art Visiting Artist & Scholar lecture series. The talk is at 6pm in DAAP 5401 and is free and open to the public. More information here and here.
The view of Yosemite Valley from Tunnel View in Yosemite National Park, California, United States has been acquired by the Amon Carter Museum of American Art. The image, part of the Second Nature portfolio, is a commentary on how images circulate online and how our engagement with the land is becoming more and more mediated.
Yale University's Beinecke Special Collections Library has just acquired an additional 60 photographs for their collection. The acquisition included photographs from Second Nature, Growth, It Isn't Black-and-White, Remnants and a single large photograph captured in a clearcut in the Pacific Northwest. These prints bring their total holdings of my work to 160+ photographs.
The High Museum of Art has acquired 10 photographs from What's Lost is Found. The selection was curated by Gregory Harris, Assistant Curator of Photography.
My work from Hale County Alabama, What's Lost is Found, is in a major traveling group show, Southbound: Photographs of and About the New South, organized by the Halsey Institute for Contemporary Art. Curated by Mark Long and Mark Sloan, this show presents the work of fifty-six photographers’ visions of the South over the first decades of the twenty-first century. The exhibition will travel to the Gregg Museum of Art & Design, Power Plant Gallery at Duke University, Hunter Museum of American Art and LSU Museum of Art through 2021. A 380-page catalogue, public programming and film accompanies the exhibition.